This last Saturday evening, my wife and I were able to cover the Nevada Childhood Cancer Foundation‘s 13th annual Profiles of Courage Gala held at the Mirage Hotel Casino Events Center. This is a fundraiser event and a chance to honor those who have made a difference during the past year. The event begins with a silent auction. During the silent auction, we walked around taking pictures of the participants. These are less formal on the spot pictures.
Last year, we used the Gary Fong Lightsphere-II products with the flash on camera. I have been working hard to get the flash off the camera, because no matter how you modify the light, it will always be a flat light when coming directly from the on camera flash. It can be a soft flat light, but it is still a flat light. In the words of David Ziser, “Save the shadows”. Highlights and shadows make all the difference in the world.
In order to get the flash off the camera, you must have an assistant. The other issue is how to move the light around without it being too much of a problem or getting in the way. I decided the best way to do that was to mount the external flash on a monopod along with a Lightsphere-II. This results in a softened bare bulb light effect. Since I am using a Nikon camera and I happen to have two SB-800′s, I also decided to use the Nikon wireless capability to trigger the flash. That means that I had an SB-800 mounted on the camera in commander mode. The on camera flash only told the external flash when to fire and didn’t contribute to the picture. For speed and convenience, I ran the flash in iTTL mode with a -1/3 or -2/3 compensation. Of course, I white balanced the camera to the flash!

So, where do you place the light? Well, basically, you want to be around 30 to 50 degrees from the camera. One note of caution, make sure that the light is not too far in front of the camera or you will get a flare from the flash. I also pointed the on camera flash toward the sensor on the external flash to help make sure that it would trigger properly. You also have to make sure that the person holding the external flash doesn’t inadvertently block the sensor.
How does it work? Well, I am very happy with the results. I’m not saying that they were perfect, but overall, very good. With that problem out of the way, it is more a matter of paying attention to the position of the people, their faces, and especially their eyes. The lady shown below is Paulette Stevens, who was named the Health Care Professional of the Year.

Do you have to use a lightsphere? Not at all. Some people don’t want to spend the money for a Lightsphere-II. You could also use some sort of a bounce attachment. In fact, David Ziser uses a shoot through umbrella when he does weddings. Whatever you choose to use, make sure that it looks professional. For example, I know of some people that didn’t want to buy a Lightsphere and were just using a plastic bottle (I think it was a rubbing alcohol bottle). There is nothing wrong with this (especially when you are not around the public), but I personally would not want to be walking around a prestigious event with an alcohol bottle on my flash. In other words, it looks professional and that can be very important.